SynScore

Creative technology · Arts storytelling

Music, as the artist truly intends it.

SynScore helps neurodiverse artists and musicians express the full intention of their work — and brings remarkable stories about the arts to the screen.

Illustrative only. The finished work is built from the colours the composer actually perceives.

Our first project

A painting that moves with the music.

Some composers have synaesthesia. When they hear music, they see colour — each note, each chord, each shift in harmony carries its own hue. Until now, that inner picture has been theirs alone.

Our first project is with a synaesthetic composer: mapping those colours precisely, note by note and chord by chord, and revealing them as a living painting that unfolds alongside the music — on screen, and in performance.

Every colour comes from the composer. Our tools record what they perceive and render it faithfully; they never guess or invent. The result is not a visualiser laid on top of the music, but a view into how the composer experiences it.

01

Capture

The composer records the colour they see for every note and harmony, using simple colour-picking tools designed with them.

02

Map

Those colours are linked to a detailed harmonic analysis of the score, so the right colour arrives at the right moment.

03

Reveal

A real-time graphics engine will paint the colours live, in step with the performance, so audiences will see what the composer hears.

For artists

Tools that follow the artist’s lead.

Many artists experience their work in ways that conventional formats cannot hold. Our first composer is the starting point. Our aim is a platform any neurodiverse musician or artist can use to bring more of their inner world into what audiences experience.

The artist leads

Technology should support creativity and never replace musicians. Every decision about the work stays with the artist.

Faithful, not generated

What audiences see is drawn from the artist’s own perceptions, so it is reliable enough for live performance.

Designed with neurodiversity

Built alongside neurodivergent artists from the start, with access needs considered at every stage rather than added later.

Music made clearer

Grounded in real music theory, so audiences, students and researchers can understand the music more deeply.

SynScore Studio

Stories about the arts, told with new ways of filming.

SynScore is also a content maker. We bring remarkable stories about artists, music and creativity to the screen — using the newest production techniques where they help tell the story better, not for their own sake.

Virtual production

Real-time environments on LED volumes and green screen, letting us place artists inside the worlds their work creates.

Immersive experiences

Work for domes, installations and live performance, where audiences step into the music rather than watch it.

AI-enabled visuals

Used carefully and transparently, AI tools help us build images that would otherwise be impossible, always in service of the artist.

Our first film explores what it is like to see music — and what happens when an audience can finally see it too.

Bio & credits

Andrea Miller, founder.

Portrait of Andrea Miller

Andrea Miller is a producer, director and strategist working where creativity, technology and audiences meet, with a focus on AI and virtual production.

As Editor of BBC Arts Features she originated a new drama-documentary approach for BBC Two’s Dickens. As Head of Factual at BBC Scotland she grew a £4m production base to £16m, winning RTS and International Emmy awards. With VP Futures funding she produced and directed The Surreal Life, an eight-minute virtual-production short and the basis of a drama series in development.

She holds a London Business School Executive MBA (2010), and began her career in music as an NME writer, radio presenter and club DJ, discovering Wet Wet Wet.

Short film · Teaser

The Surreal Life

When Dalí met Freud. The teaser for an eight-minute virtual-production short film, the basis of a four-part drama series in development.

Produced and directed by
Andrea Miller
Written by
Jon Gilbert
Starring
Jamael Westman as Dalí, Nicholas Day as Freud, Ross Tomlinson as Edward James
Director of photography
Aaron A. Rogers
Full credits
Produced and directed by
Andrea Miller
Written by
Jon Gilbert
Cast
Ross Tomlinson — Edward James
Jamael Westman — Salvador Dalí
Nicholas Day — Sigmund Freud
Director of Photography
Aaron A. Rogers
Production Designer
James Andrews
VP Supervisor
Johnny Johnson
Associate Producers
Monika Chowdhary Kuczynski
Tasneem Maqsood
1st Assistant Director
Alex Mill
Art Department
Phillip Andrews
Lizzie Gordon
Jack Faulkener
Ross Cotton
Gaffer
Harry Buck
Focus Puller
Oscar Harrison
Spark / Lighting Desk Operator
Nykola Bulavsky
Spark
Auxane Verdier
Grips
Rogan Brown
Liam Hartney
Sound Recordist
Owen Spencer
Sound Assistant
Rufus Ambler
Dubbing Mixer
Annie Gardiner
Stage Operators
Dominic Maher
Kinga Kliss
Technical Artists
Aline Cunico
Juan Cuadra
Andras Ronai
Stage Technician
Stefanie Oswald
Data Wrangler
Neil Smith
Hair and Make-up
Annie Little
Runner
Shazeb Hassan
Post-production — Residence Pictures
Colourist: Paul Harrison
Online Editor: Owen Hulme
Head of Post Production: Julian Nelson
With thanks to
Max Lohan
Industrial Light & Magic
Amanda Johnstone
Danielle Legovich
James Mohan
Ben Morris
Xavier Martin Ramirez
Epic Games
Saga Alayyoubi
Alex Hammond
Ben Lumsden
Nancy Xu
Final Pixel
Michael McKenna
StoryFutures Academy
James Bennet
Becky Gregory-Clarke
Fiona Kilkenny
Peter Richardson
Lisa Pearson
Sarah Smyth
Future Screens NI
Declan Keeney
Paul Moore
Deirdre MacFadyen

The Surreal Life · Sunnyside Productions © 2023

Selected credits

Title Role Recognition
The Surreal Life — with a virtual-production short film of the same name (2023), and a four-part drama series in developmentProducer and director, Sunnyside ProductionsDevelopment funding from VP Futures (Epic Games, ILM, StoryFutures, Innovate NI)
Vincent Van Gogh: Painted with Words, starring Benedict Cumberbatch (Imagine, BBC)Executive ProducerBest Arts Documentary, Banff Rockies 2011
Stephen Fry: The Secret Life of the Manic DepressiveBBC Executive Producer (produced by IWC)International Emmy 2009
Parallel Worlds, Parallel Lives — Mark Everett of Eels in search of his physicist fatherHead of Department, BBC Scotland Factual (produced by Andrew Thompson and Louise Lockwood)RTS and Grierson 2008
David Hockney’s Secret KnowledgeExecutive ProducerGrierson Award 2002
Dickens, BBC TwoEditor, BBC Arts Features — originated a new drama-documentary approachLifted BBC Two arts audiences from 1.8m to 3.5m

Let’s make something together.

Whether you are an artist, a partner, a broadcaster or a researcher, we would love to hear from you.

andrea.miller.01@gmail.com